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如實知見—黃嘉寧的寫實繪畫(大未來林舍畫廊)
發佈日期：2019-08-17
策展人 Curator｜沈伯丞 Shen Bo-Cheng
地點 Venue｜高雄市立美術館四樓展覽室 4th floor Galleries, KMFA
展覽《如實知見—黃嘉寧的寫實繪畫》，名稱源自於佛教用語
「如」意指法（梵語：dharma）的本性亦即真理的本質。「見」乃是正確的智慧洞察，也因此「如實知見」包含了，其真正的意義乃是以不受障礙的慧眼，去洞察、認識真實的道理。
展覽《如實知見—黃嘉寧的寫實繪畫》，嘗試省思並探究「繪畫」與「真實」之間的關係。在「寫實繪畫」的過程中，並非是「技巧」本身的精密性成就了藝術品質，而毋寧是「洞察」決定了「本質」。「洞察」意味著以慧眼看見，而慧眼關乎心靈的狀態，從《碎蝸牛》、《路邊小鴿子》、《花椰菜》、《Ｘ光片》，這些沒有刁鑽難懂的賣弄語句中，可以發現黃嘉寧的作品名稱即是畫布上的一切。如此直接的畫面與畫題的絕對關係，存在著「名」、「實」辯證間的認知空隙，值得注意的是在這邏輯辯證關係中，「實」和「名」間遺漏了「感知」或「感性」的生命知覺經驗，然而真正的作品，恰恰是透射出那逸脫於直觀的「名」、「實」關係之外的「莫名感受」。這莫名的感受，恰是藝術家其「感性認知」之洞察所在。以「感性認知」為基礎的洞察，讓藝術及審美成為了可能。展覽嘗試由「感性認知」出發，漸次引導觀者通過作品走入黃嘉寧其創作的獨特內在歷程。並且呈顯出黃嘉寧其「畫作」中的藝術意義與美感狀態。
繪畫從技巧上分析乃是身體技術通過顏料、畫筆和畫布，紀錄並遺留個人感知經驗痕跡的過程。而「寫實繪畫」乃是一種從針對客觀的現象認知進行描繪。而「藝術」僅發生在當畫面連結至經驗性的感知意象中，黃嘉寧在深刻的感知中，攫取了的理性遺落處的「真實」。從而藝術家的作品一方面是對於實在的知覺，另一方面更是意義本身的物質性依憑。「如實知見」其並非文字和理論的解惑，而是直觀的把握與體會，一如「復照青苔上」般靜觀真實之光的默照。
六甲肉包 Lioujia Meat Bun 2009 油彩‧畫布 Oil on canvas 152x190 cm
火鶴 Flamingo Flower 2012 油彩‧畫布 Oil on canvas 152x227 cm
小蝸牛 Little Snail 2016 油彩‧畫布 Oil on canvas 138x210 cm
烏龜 Turtle 2012 油彩‧畫布 Oil on canvas 150x192 cm
錦鯉 Colored Carps 2013 油彩‧畫布 Oil on canvas 180x272 cm
錦鯉III Colored Carps III 2015 油彩‧畫布 Oil on canvas 182x272 cm
鈴鐺 Small Bells 2012 油彩‧畫布 Oil on canvas 182x227 cm
那些（不）被留下的 Something Left, or Not 2011 油彩‧畫布 Oil on canvas 180x227 cm
捕蠅草 Venus Flytrap 2014 油彩‧畫布 Oil on canvas 150x192 cm
魚與星巴克 Fish and Starbucks 2014 油彩‧畫布 Oil on canvas 182x227 cm
魚（肉） Fish(Flesh) 2016 油彩‧畫布 Oil on canvas 152x227 cm
烏山頭一瞥 A Glimpse of Wu-Shan-Tou 2010 油彩‧畫布 Oil on canvas 97x130 cm
對焦 Zero In 2010 油彩‧畫布 Oil on canvas 91x72 cm
黃石公園-火洞河 Yellowstone National Park - Firehole River 2019 油彩‧畫布 Oil on canvas 180x270 cm
The exhibition title "Reality & Essence: The realistic painting of Huang Chia-Ning" came from Buddhism term.
The meaning of "如" means the law (Sanskrit: dharma) is the essence of truth. "見" is the correct wisdom insight, and therefore the real meaning of "Reality & Essence" is to see the insight without obstacles and understand the truth.
The exhibition "Reality & Essence: The realistic painting of Huang Chia-Ning" tries to reflect and explore the relationship between "painting" and "reality". In the whole process of "realistic painting", it is not the precision of "skills" itself that achieves artistic quality, but rather "insight" determines the "essence". "Insight" means seeing with mental perception, it is about the state of the mind. From "Snails", "Doves", "Cauliflower", "X-ray Film", these titles are easy to understand. One can find that the title of Huang Chia-Ning's work is everything on the canvas. The absolute relationship between the direct pictures and painting titles has the cognitive gap between the "name" and "real". It is worth noticing that in this logical dialectical relationship, "perception" or the "sensible" experience of life perception are missing between "real" and "name", but the real work transmits the "inexplicable feeling" that detaches from the intuitive relationship of "name" and "real". This inexplicable feeling is the insight of the artist's "perceptual cognition". The insights based on "perceptual cognition" make art and aesthetics possible. The exhibition attempts to start from the "perceptual cognition", and gradually guides the viewer through the works into the unique inner progress of Huang Chia-Ning's creation. It also shows the artistic meaning and aesthetic state of Huang Chia-Ning's "paintings".
The technical analysis of painting is the process by which body techniques record and leave traces of personal perceptions through paints, brushes and canvases. "Realistic painting" is a depiction of cognition of objective phenomena.
"Art" only occurs when the picture is linked to the experience perception of intention. In the deep perception, Huang Chia-Ning grabbed the "reality" that is left by the rational. Thus, the artist's work is on the one hand the perception of reality, on the other hand, the materiality of meaning itself. "Reality & Essence" is not just explaining of words and theories, but intuitively grasping the change and experiencing, just like the "reflecting again on the moss" to observe the true light silently shines.
創作論壇 Forum for Creativity in Art
2019.08.24 Sat. 15:30
高美館四樓多目的室 4th floor Multi Purpose Room, KMFA
與談人 Panelists
王品驊 Wang Pin-Hua
許遠達 Hsu Yuan-Ta
黃嘉寧 Huang Chia-Ning
沈伯丞 Shen Bo-Cheng
大未來林舍畫廊 Lin&Lin Gallery
台北 Taipei
台北市東豐街16號1樓
1F, No.16, Dongfeng St., Taipei, 10684, Taiwan
TEL：886-2-27006866 FAX：886-2-27006766
每週日、一休館
北京 Beijing
北京市東城區安定門外東濱河路雍和家園三號院一號樓B1, 101, 郵編100013
101, B1, Building No. 1, Yard No.3, YongHe Garden, DongBinHe Road, AnDingMenWai, Dong Cheng District, Beijing 100013
(藝文報報新聞報導)
